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Korea Now!

Craft, Design, Fashion and Graphic Design in Korea

 

 

 

Simple, Calm and Subtle

 

Now, in Paris, being displayed ‘Korea Now! Craft, Design, Mode et Graphism en Corée’ in Musée des Arts Décoratifs runs until next January. The exhibition is like dialogue between historical objects and modern creations. Aims to present a historic panorama and to show the universal aspect of Korean contemporary art. The exhibition puts a special focus on introduce how to reinterpret the Korean traditional craftwork and the beauty of Hanbok into modern style. Displaying more than 1,500 artwork and costume and fashion by 150 designers of Koreans. The exhibition’s have three main creative director of Korean with also three French curators, they work collaboratively organized the exhibition into three main themes, Craft & Design, Fashion, and Graphic Design. 

Craft & Design - Artifact of living spirit

 

In the section ‘Craft & Design’ was curated by artdirector ‘Rheem Mi-Sun’ on the subject of ‘Affection’ is introduced a wider art craft world of Korean craftsmen creating a ‘tradition’ of today.

This section is structured around three main curatorial choices;

1) Homage – works of intangible cultural heritage to preserve and inherit the Korea craft techniques; 2) Resonance – contemporary craftsmen working in various medium work like Ottchil (lacquer), Najeon Chilgi (mother-of-pearl inlay), Hangi (paper); 3) Hybrid – collaborative work between young designers and skilled artisans.

 

Co-curator Karine Lacquemant said “The power of Korea crafts is that we can feel with a modern yet traditional”, and remarked on the Korea crafts “It is not flashy but classy and precision”. Curators wanted to keep a sense of calm, be nature and as pure in this exhibition, like image with respect to Korea in France. Karine mentioned that young designers are very intrepid at creating necklaces any modern sort of fabric, this is about young artist revisiting their culture and traditions with new material.

‘Modernized creation that keeps tradition’ is a key point. For example, the lines elastic banded closet by artist Soh Eun-Myung, he took the gridded latticework of traditional Korean doors as a reference. Broad elastic bands in all rainbow colors replace doors and function as geometrically.

And traditional little tea table, called ‘Soban’, show the traditional Korean art of living. Western cultures are sat in chairs, Korea is culture of small table ‘Soban’. Traditionally, we have been sat on the floor and used small table ‘Soban’. The belief that the general daily goods is the work of art, the ‘use’ give birth to design and design give birth to a living aesthetic through the use. (‘Soban’ has different legs, it made within imitate legs of the beast, like tiger, horse and dog. But rather than simply imitating a military attach meant a tiger, a civil servant is a horse and the dog meant the populace.) Nowadays, we are not use anymore after people become used to western-style, but recently, ‘Soban’ is under the spotlight again as interior accessories clad in modern design.

Graphic Design - Convergence and divergence of the 'Popular culture' and 'Hanguel'

 

The last section is graphic design. It showcases about 200 pieces, including posters, magazines and book covers put on symmetrical and geometrical features of Hangul. Hangul (Korean alphabet) is a primordial element of the Korean cultural identity.

Korean graphic design is relatively recent. The emergence of this artistic practice is contributing to the development of an environment conducive to creativity, still thriving today.

By offering a modern and free visual language, it reflects a quest for renewal, currently ubiquitos in Korea. Designers playing with geometry and the scale of letters and sometimes mixing linguistic codes. One of the participate typographic designer Ahn Sang-Soo, known as the father of the discipline. He has freed prescriptive rules of typography, playing with the geometry and scale of letters.

 

Fashion - The passion, dignity, wisdom, integrity and nonpossession in the 'Obang-Seak'

 

This section specially focuses on Korean fashion, displaying more than 120 dresses and accessories from traditional costume to contemporary fashion. Made as a result of chromatic contemporary creations, is punctuated with traditional costumes illustrating, as authentic pieces or replicas, the originality of the ‘Hanbok’ which is a key source of inspiration for all the creators.

Display is directed by designer Suh Young-Hee. She divided the space by color on the various works of Korea’s representative designers and new designers based upon the theme of ‘five-colors’ in which history and living culture have been displayed. Fashion exhibition shows a unique traditional culture and original philosophy heading into the future beyond the present.

 

Fashion part is composed of five sections; organized around the five colors of the traditional Korean spectrum ‘Obang-Saek’ – red, black, yellow, blue and white. These colors have a symbolism in traditional aesthetics. There are means direction and elements. Blue is configured mainly with male Hanbok hold the spirit of literati-scholars, red is beauty of women’s Hanbok on the subject of dynamism and aspirations, white is composed serve the meaning of sacred and non-possession. Black line showed the new style Hanbok on the intended meaning of wisdom and consilience. The center color yellow is composed as a symbol of nobility, wealth and honor.

Especially, white is very important color for Korean culture. The Korean people were called as ‘The white-clad fork’ because of our preference for white. White is meant color of immortality and heaven earth in Korea. So, wearing white clothes is one expression of worship, it was part of religion. In the exhibition, young fashion designers use white the transparency and lightness silhouettes inspired by Hanbok. White still give us a big inspiration.

Video about Korean Craft Artisans

Video about Lee  Young-Hee Hanbok

Video about 'Jogakbo' (patchwork)

Exhibition KOREA NOW!

Reference

http://www.lesartsdecoratifs.fr/francais/
http://www.coree-culture.org/
http://www.fashionbiz.co.kr/WW/?cate=2&idx=150442
Magazine CRAFT + DESIGN 2015 NO. 015, KCDF
Desde las orillas del Sena, Tomo VIII, Serie “Cartas a Ofelia”

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